Great War

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History of the Great War in historical military prints by Richard Caton Woodville showing the 9th Lancers at Moncel, 5th Lancers at Mons and the Manchester Regiment at Francilly Selency. Military art prints published by permission of the regiments by Cranston Fine Arts, the military print company.

Charge of the 9th Lancers by Richard Caton Woodville,

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Open edition prints. £48.00
Open Edition prints £40.00
2 Discount Two-Print Packs and
1 Discount Multi-Print Pack
Available on These Editions, Including :

Buy With :
Retreat From Mons by Lady Elizabeth Butler.
for £78

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The First VC of the European War by Richard Caton Woodville.
for £82

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Charge of the 9th Lancers by Richard Caton Woodville,

Depicts the charge of a squadron of the 9th Lancers against the Prussian Dragoons of the Guard at Moncel on the 7th September 1914. This was Cavalry action in the First World War when cavalry charged with both sides at full gallop. The 9th Lancers casualties were 3 killed and 7 wounded compared to heavy losses suffered by the Prussian Dragoons.

Open edition prints. Image size 30 inches x 19 inches (76cm x 48cm). Price £48.00


Open Edition prints Image size 21 inches x 14 inches (53cm x 36cm). Price £40.00

ITEM CODE DHM0061

The First VC of the European War by Richard Caton Woodville.

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Open edition print. £48.00
**Open edition print. (Three copies reduced to clear) £38.00
2 Discount Two-Print Packs and
1 Discount Multi-Print Pack
Available on These Editions, Including :

Buy With :
Death and Glory in Flanders Fields by Chris Collingwood.
for £120

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Buy With :
Charge of the 9th Lancers by Richard Caton Woodville
for £82

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The First VC of the European War by Richard Caton Woodville.

Captain Francis Grenfell, 9th Lancers, the first VC of World War I to be gazetted, winning the VC at Audregnies, Belgium, 24th August 1914

Open edition print. Image size 25 inches x 15 inches (64cm x 38cm). Price £48.00


**Open edition print. (Three copies reduced to clear) Image size 25 inches x 15 inches (64cm x 38cm). Price £38.00

ITEM CODE DHM1098

Capture of a German Battery by Richard Caton Woodville.

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Restricted print run. £45.00
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The Hard Way Home by Robert Taylor.

Item Price : £200

Breaking the Silence by Keith Aspinall. (B)

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Capture of a German Battery by Richard Caton Woodville.

German 77mm battery captured by C Company, 2nd Battalion the Manchester Regiment, 2nd April 1917 at Francilly Selency. The attacks on Francilly-Selency would prove costly and difficult to the attacking British forces. The Germans had dug in well. But the Manchester Regiments 2nd battalion, attacking from Roupy just beyond Savy village, towards the large hill which would later be called Manchester Hill, captured the German 77nn Gun battery. The Manchester Regiment would again be on the attack on the 14th of April at Fayet and would go on to the trenches of the Hindenburg line at Gricourt road, San Quentin.

Restricted print run. Image size 25 inches x 19 inches (64cm x 48cm). Price £45.00

ITEM CODE DHM0445

The 5th Lancers Re-enter Mons, November 1918 by Richard Caton Woodville.

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Open edition print. £30.00
Open edition print. £14.00
2 Discount Two-Print Packs Available on These Editions, Including :

Buy With :
Death and Glory in Flanders Fields by Chris Collingwood.
for £120

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Buy With :
Retreat From Mons by Lady Elizabeth Butler.
for £80

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The 5th Lancers Re-enter Mons, November 1918 by Richard Caton Woodville.

The 5th Lancers (attached to the Canadian Corps) were the first British troops to re-enter Mons, just as they had been the last to leave Mons in August 1914. Very few of the troopers who left Mons in 1914 were there to re-enter in 1918.

Open edition print. Image size 25 inches x 15 inches (64cm x 38cm). Price £30.00


Open edition print. Image size 12 inches x 8 inches (31cm x 20cm). Price £14.00

ITEM CODE DHM1082

 
 Charge of the 9th Lancers by Richard Caton Woodville  Depicts the charge of a squadron of the 9th Lancers against the Prussian Dragoons of the Guard at Moncel on the 7th September 1914. This was Cavalry action in the First World War when cavalry charged with both sides at full gallop. The 9th Lancers casualties were 3 killed and 7 wounded compared to heavy losses suffered by the Prussian Dragoons.

The First VC of the European War by Richard Caton Woodville  Captain Francis Grenfell, 9th Lancers, the first VC of World War I to be gazetted, winning the VC at Audregnies, Belgium, 24th August 1914.

Capture of a German Battery by Richard Caton Woodville  German 77mm battery captured by C Company, 2nd Battalion the Manchester Regiment, 2nd April 1917 at Francilly Selency.  The attacks on Francilly-Selency would prove costly and difficult to the attacking British forces. The Germans had dug in well.  But  the Manchester regiment's 2nd battalion, attacking from Roupy just beyond Savy village. towards the large hill which would later be called Manchester Hill.  captured  the German 77nn Gun battery.  The Manchester regiment would again be on the attack on the  14th April  at Fayet.  and would go on to the trenches of the Hindenburg line at Gricourt road, san Quentin

The 5th Lancers Re-enter Mons, November 1918 by Richard Caton Woodville   The 5th Lancers (attached to the Canadian Corps) were the first British troops to re-enter Mons, just as they had been the last to leave Mons in August 1914. Very few of the troopers who left Mons in 1914 were there to re-enter in 1918.  

Artist Information:   WOODVILLE, Richard Caton Born London 1856; died there 1927.    Woodville was the most prolific 'battle' artist of the nineteenth and early twentieth century in Britain, producing countless oil paintings and drawings, many for the Illustrated London News. As was the case with several history painters of the Victorian period, he studied at Dusseldorf sometime with Wilhelm Camphausen, the great German military painter, and later in Paris. He experienced was first-hand in Albania and Montenegro towards the end of the Russo-Turkish War in 1877, and later in Egypt during the war of 1882. During the latter conflict, he made numerous sketches and obtained photographs of the trenches at Tel-e-Kebir for his friend, the French military artist, Alphonse de Neuville (q.v.) who had been commissioned to paint a scene of the battle. The fruits of both their labours were shown at the Fine Art Society in 1883, Woodville, exhibiting The Moonlight Charge at Kassassin. In 1884, Woodville exhibited by Royal Command, another picture relating to the Egyptian War. The Guards at Tel-e-Kebir (Royal Collection).

His first Royal Academy picture exhibited in 1879, was entitled Before Leuthen, Dec. 3rd, 1757. Thereafter, he was a frequent exhibitor at Burlington House, showing no less than 21 battle pictures, many dealing with contemporary events such as the Second Afghan War, Candahar (Private collection) and Maiwand; saving the Guns (Walker Art Gallery, Liverpool), the Zulu War - Prince Louis Napoleon in Zululand, and the Boer War - Lindley; Whitsunday 1900 (Oxfordshire Light Infantry Association), and Dawn of Majuba (Canadian Military Institute).

He painted many historical recreations both in oil and water-colour including a series on famous British battles for the Illustrated London News. He depicted The Charge of the Light Brigade (Royal Collection, Madrid) and The Charge of the 21st Lancers at Omdurman (Walker Art Gallery, Liverpool), Blenheim, Badajos and several Waterloo pictures. During the Great War, he turned his talents to depicting the current events, three of which were exhibited at the Royal Academy. The 2nd Batt. Manchester Regiment taking six guns at dawn near St. Quentin (The Ring's Regiment), Entry of the 5th Lancers into Mons (16th/5th Royal Lancers), and Halloween, 1914: Stand of the London Scottish on Messines Ridge (London Scottish Museum Trust) exhibited in the year of his death.

During his life, he was the most popular artist of the genre and he was the subject of several articles in magazines and journals. He himself wrote some memoirs in 1914 entitled Random Recollections. He was deeply interested in the army and joined the Royal Berkshire Yeomanry Cavalry in 1879, staying with them until 1914 when he joined the National Reserve as a Captain.

 

 

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ARTIST
Featured Artist - Chris Collingwood



Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

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